Recommended Boutique ---Olive vase with dragon and phoenix design
宋朝时期，橄榄瓶在河南登封窑问世，直到清代仍在烧造，只是造型有所出入，颈部稍长，总体特征比较秀美，瓶颈加长了一些，釉色看上去均匀隽秀。橄榄瓶瓷器是一种以橄榄为题材的瓷器，橄榄瓶之所以名为橄榄瓶，是因为它的瓶身形状像一颗橄榄。橄榄瓶瓷器是一种具有欣赏价值和拍卖价值的中国传统陶瓷艺术品。橄榄瓶的瓶腹非常丰满，瓶口和瓶足均往内收，瓶底部为平底或者圈足。橄榄瓶在清朝时期非常盛行，尤其是在雍正、乾隆年间，一般可分为素身橄榄瓶和瓜棱式橄榄瓶。从博物馆的收藏器物资料中，目前发现最早的橄榄瓶是隋朝，而存世量最多是清朝康熙雍正乾隆三代及中晚期。橄榄瓶的设计能体现当时陶瓷生产工艺艺术生活化和古老中华民族最质朴的审美观。其形制隽美典雅，器身之秀挺，充盈着一种向上的伸展力，经典地成为一代王朝繁盛的象征。清朝橄榄瓶瓷器是中国传统陶瓷文化中的重要组成部分,其欣赏价值和拍卖价值也一直备受人们关注。
During the Song Dynasty, olive bottles came out in Henan Dengfeng Kiln, until the Qing Dynasty was still burning, but the shape was different, the neck was slightly longer, the overall characteristics were more beautiful, the bottleneck was lengthened, and the glaze looked uniform and meaningful. Olive vase porcelain is a kind of porcelain with olives as the theme, the olive bottle is named olive bottle because its bottle is shaped like an olive. Olive vase porcelain is a kind of Chinese traditional ceramic art with appreciation value and auction value. The belly of the olive bottle is very full, the mouth and foot of the bottle are drawn in, and the bottom of the bottle is flat or circled. Olive bottles were very popular in the Qing Dynasty, especially in the Yongzheng and Qianlong years, and can generally be divided into plain olive bottles and melon rims. From the museum's collection of artifacts, the earliest olive bottles are found in the Sui Dynasty, and the largest number of surviving Qing Dynasty Kangxi Yongzheng Qianlong third and middle and late periods. The design of the olive bottle can reflect the ceramic production art of life and the ancient Chinese nation's most simple aesthetic. Its shape is beautiful and elegant, the body is elegant, full of a kind of upward stretching force, and it has become a symbol of the prosperity of a dynasty. Qing Dynasty olive vase porcelain is an important part of Chinese traditional ceramic culture, and its appreciation value and auction value have been concerned by people.
近期我公司征集了龙凤纹橄榄瓶一件，口径8cm，高38cm，底径10cm。瓶直口，垂肩，圆腹，腹下渐敛，圈足。胎质细腻，釉面光滑，釉质莹润无瑕，胎釉结合紧密，绘有龙凤纹，龙身呈“弓”形，龙的食趾和拇趾距离较大，呈“风车”状，凤凰羽翼呈舒展状，勾勒出腾飞的龙和翱翔的凤凰穿梭云海间，龙与凤相对飞舞的画。整器造型秀美，凸饰的滕纹别具一格。外壁施泥釉和棕色釉，釉色深沉，釉质均匀，只有两种颜色，虽简单却不失大气，洋溢着浓浓的富贵气息。底部施以白釉，并在双圈里面刻一“宋”字。这件瓷器整体给人清新素雅之感，图饰别致，很适合雅逸之士拿在手中赏玩。
Recently, our company collected a dragon and phoenix olive bottle, diameter 8cm, height 38cm, bottom diameter 10cm. Bottle straight mouth, shoulders, round belly, belly gradually closed, circle feet. The fetus is delicate, the enamel is smooth, the enamel is glossy and flawless, the fetal glaze is closely combined, and the dragon body is "bow" shape, the distance between the eating toe and the thumb of the dragon is large, and the phoenix wings are stretched, which Outlines the picture of the soaring dragon and the soaring phoenix shuttling between the clouds and the sea, and the dragon and the phoenix relatively dancing. The whole device is beautiful in shape, and the totem of the convex decoration is unique. The outer wall is glazed with mud and brown glaze, the glaze is deep, the glaze is uniform, and there are only two colors, which are simple but do not lose the atmosphere, and are filled with a strong sense of wealth and honor. The bottom is glazed with white glaze, and the word "Song" is engraved inside the double circle. This porcelain as a whole gives a fresh and elegant feeling, the decoration is unique, very suitable for elegant people to hold in their hands to enjoy.
橄榄瓶瓷器的欣赏价值在于它的独特设计和制作工艺。橄榄瓶瓷器的制作工艺非常繁琐,需要经过多次的高温烧制和冷却,使得瓷器表面形成一层光滑、细腻的釉面。这种制作工艺需要非常高的技能和经验,同时也增加了橄榄瓶瓷器的欣赏价值。橄榄瓶为清代流行器形，其造型丰满秀挺，线条流畅富有韵律感，轻巧灵动而又不失稳重，兼具梅瓶、玉壶春之特征于一身，此瓶的施釉，细润光亮，造型秀颀，经典地显示中国工匠造器严苛的线条追求，以一种象生学概念，设计器身一寸一厘的线条，在塑形上，达到无可挑剔的流畅与优雅。其线条的完美，自然无痕地造成一种流光溢彩的动势。
The appreciation value of olive vase porcelain lies in its unique design and manufacturing process. The production process of olive vase porcelain is very complicated, and it needs to be fired and cooled at high temperature for many times, so that the surface of the porcelain forms a smooth and delicate glaze. This production process requires a very high level of skill and experience, while also increasing the appreciation value of olive vase porcelain. The olive bottle is a popular ware in the Qing Dynasty, its shape is plump and graceful, the lines are smooth and rhythmic, light and nimble and not yet stable, both plum bottle, jade pot spring characteristics in one, the glaze of this bottle, fine and bright, beautiful and tall, classic shows the Chinese artisans to make the line pursuit of strict, with an image of the concept of health, the design of the body inch by inch line, in the shape, Achieve impeccable fluency and elegance. The perfection of its lines naturally creates a flowing and colorful motive force.
除了器物本身的造型和工艺，更该说一说橄榄瓶表面的图案文化。龙凤纹样起源极早，商代的青铜装饰纹样中就有两尾龙纹、蟠龙纹等，西周前期有凤纹、鸟纹等，形成真正意义上的龙凤纹样是在春秋战国时期。图案中龙和凤各居一半，龙是飞龙，张口旋身，回首望凤；凤是祥凤，展翅翘尾，举目眺龙。龙飞凤舞，深情团聚，周围漂浮着祥云朵朵，整个画面洋溢着一派祥瑞之气。龙凤呈祥图案是吉祥喜庆的美好寓意，在中国传统文化中有着很强的生命力，广泛应用于民间百姓举办的各种喜庆活动中。龙凤纹象征着帝王的神圣，却寓意了捍卫太平盛世，守护万家灯火，祝福天下苍生的恢弘气势，其蕴含的文化内涵值得我们去学习和传承。龙为鳞虫之长，凤为百鸟之王，都是祥瑞之物。龙凤相配便呈吉祥，习称“龙凤呈祥纹”。龙凤纹祥寓有太平盛世，高贵吉祥的含义，同时龙凤相配便呈吉祥如意，万事顺遂。自古龙凤象征夫妻间相濡以沫的忠贞爱情；在事业上象征步步高升，飞黄腾达；在家庭上象征幸福安康。
In addition to the shape and process of the objects themselves, we should say that the pattern culture on the surface of the olive bottle. The origin of dragon and phoenix pattern is very early, the bronze decorative pattern of the Shang Dynasty has two tail dragon pattern, flat dragon pattern, etc., the early Western Zhou Dynasty has phoenix pattern, bird pattern, etc., the formation of the true sense of dragon and phoenix pattern is in the Spring and Autumn period. In the pattern, the dragon and the phoenix are each half, the dragon is a flying dragon, opening its mouth and turning its body, looking back at the phoenix; The phoenix is the auspicious phoenix, stretching its wings and looking up at the dragon. Dragon and Phoenix dance, affectionate reunion, floating around the clouds, the whole picture is filled with a auspicious gas. The dragon and phoenix auspicious pattern is a beautiful meaning of auspicious festival, which has strong vitality in traditional Chinese culture and is widely used in various festive activities held by the folk people. The dragon and phoenix pattern symbolizes the holiness of the emperor, but it implies the grand momentum of defending the peace and prosperity of the world, guarding the lights of thousands of families, and blessing the people of the world. Its cultural connotation is worth our learning and inheritance. The dragon is the length of the scales and insects, and the phoenix is the king of the birds. Dragon and phoenix match auspicious, called "dragon and phoenix propitious pattern". Dragon and phoenix pattern auspicious meaning of peace and prosperity, noble and auspicious, while dragon and phoenix match will be auspicious, everything goes well. Since ancient times, the dragon and phoenix symbolize the faithful love between husband and wife; In the career symbolizes the promotion and success; In the family symbolizes happiness and well-being.
龙的形象出现得很早，仰韶文化中的陶器上就有接近蜥蜴、壁虎状的龙纹。龙起源于新石器时代早期，是古代人在多种动物艺术形象的基础上再创造的产物,传说炎黄二帝所在的部落联盟即以龙为图腾。因此龙后来成为了中华民族的象征龙纹，又称为“夔纹”或“夔龙纹”，是青铜器上的装饰纹样之一，在中国古纹样装饰中，龙纹被大量装饰在玉石、牙骨、陶瓷、织绣和服饰等许多方面，尤其在宫廷艺术中更是充满了龙的装饰。原始的龙仅为造福万物的神兽，与风调雨顺、五谷丰登等祥瑞意义相关；进入封建社会后，龙就成为帝王权力的象征，代表着帝德天威;在民间，龙既是神灵祥瑞，又成为人们喜闻乐见的艺术形象。“盘古之君，龙首蛇身，嘘为风雨，吹为雷电”，总之，远古时代人类把龙都看作是神物，可以对风雨雷电施加影响，寄托了控制、驾驭自然的愿望。龙铸于青铜器上，就与它的这种功能有关，祭祀天地时，乞求风调雨顺，五谷丰登是其中主要项目。这些神物铸于器，器就是神器。凤纹在青铜器上的流行，使青铜器开始具有了一些人性的色彩，世俗的愿望开始占据着宗教巫术的地盘。凤鸟纹，古代青铜器纹饰之一。凤，在神话传说中，为群鸟之长，是羽虫中最美者，飞时百鸟随之，尊为百鸟之王。在古人的心中，凤是吉祥之鸟，也是人们幻想的产物和某些形态的升华。凤最早是上古东夷族团的图腾玄鸟，凤纹在商代和西周的青铜器上，都有大量的铸刻，特别是西周时期，一般纹饰趋向简化，但凤纹反趋向华美，整个西周时期，凤鸟纹长盛不衰，成为当时青铜礼器纹饰的显著特征。
The image of the dragon appeared very early, and the pottery of Yangshao culture had dragon patterns close to lizards and geckos. Dragon originated in the early Neolithic Age, is the ancient people in a variety of animal art images on the basis of the re-creation of the product, legend Yanhuang II tribal alliance is to the dragon as a totem. Therefore, the dragon later became the symbol of the Chinese nation, also known as "Kui" or "Kui", which is one of the decorative patterns on bronze ware. Among the ancient Chinese decorative patterns, the dragon patterns were heavily decorated on jade, teeth and bones, ceramics, embroidery and costumes, especially in the palace art. The original dragon is only a divine beast that benefits all things, and is related to auspicious meanings such as good weather and good harvest. After entering the feudal society, the dragon became the symbol of imperial power, representing the emperor's virtue and heaven's power. In the folk, the dragon is not only a blessing to the gods, but also an artistic image that people like to see. "The king of Pangu, the head of the dragon and the body of the snake, hush for wind and rain, blow for lightning", in short, in ancient times, humans regard the dragon as a divine object, which can exert influence on wind and rain and lightning, and entrust the desire to control and control nature. The dragon cast on the bronze ware is related to its function. When offering sacrifices to heaven and earth, begging for good weather and good harvest are the main items. These gods are cast in vessels, and vessels are artifacts. The popularity of phoenix patterns on bronzes made bronzes begin to have some human colors, and secular wishes began to occupy the territory of religious witchcraft. Phoenix and bird pattern, one of the ancient bronze ware patterns. Phoenix, in myth and legend, is the length of the flock of birds, is the most beautiful of the featherworms, flying with all birds, respected as the king of all birds. In the hearts of the ancients, phoenix is an auspicious bird, the product of people's fantasies and the sublimation of some forms. Phoenix was the first totem of the ancient Dongyi group, the phoenix pattern in the Shang Dynasty and the Western Zhou Dynasty on the bronze, there are a large number of carving, especially in the Western Zhou period, the general pattern tends to be simplified, but the phoenix pattern tends to be beautiful, the whole Western Zhou period, phoenix bird pattern has long flourished, became the bronze ritual decoration of the remarkable feature.
龙凤纹体现在宋代耀州窑为宫廷烧制的青釉盘、碗上，有刻划龙凤对舞的纹饰；元代磁州窑有在罐腹两面开光内分别绘龙、凤纹；明、清两代宫廷用瓷上、青花、釉里红、五彩、斗彩龙凤纹饰尤为多见。龙凤纹是一种典型的瓷器装饰纹样。龙凤纹样的寓意是龙有喜水、好飞、通天、善变、灵异、征瑞、兆祸、示威等神性；凤有喜火、向阳、秉德、兆瑞、崇高、尚洁、示美、喻情等神性。凤和龙虽然都是祥瑞之物，但二者的形象和内涵截然不同。龙给人威严而神秘，不可亲近，只可敬畏；凤象征着和美，安宁和幸福，乃至爱情，让人感到温馨、亲近、安全。“龙凤文化”共同创造了中国古代文明。神性的互补和对应，使龙和凤走到了一起：一个是众兽之君，一个是百鸟之王；一个变化飞腾而灵异，一个高雅美善而祥瑞；两者之间的美好的互助合作关系建立起来，便“龙凤呈祥”了，“龙凤呈祥”吉祥物寓意着会带来一派祥和之气。此橄榄瓶上有龙凤纹样正是此意。龙凤纹样是中华民族纹饰中最具有代表性的形象符号，是美妙的艺术形象，它构成了我国文化史上历时最长、应用最广、民俗功能最多、民间性最强的文化长链。龙风纹样是中华民族纹饰中最具有代表性的形象标志，是美妙的艺术形象，它构成了我国文化史上历经最长、运用最广、民俗作用最多、民间性最强的文化。
The dragon and phoenix pattern is reflected in the blue glaze plates and bowls fired for the court by Yaozhou Kiln in the Song Dynasty. Cizhou kiln in Yuan Dynasty had dragon and phoenix patterns drawn in the open light on both sides of the tank. Ming and Qing dynasties royal porcelain, blue and white, enamel red, colorful, bucket color dragon and phoenix decoration is particularly common. Dragon and phoenix pattern is a typical decorative pattern of porcelain. The meaning of the dragon and phoenix pattern is that the dragon likes water, flies well, flies to heaven, is fickle, supernatural, signs Rui, spells disaster, demonstrations and other divinity; Phoenix has a love of fire, Xiangyang, Bingde, Zhaorui, lofty, Shangjie, beauty, metaphor and other divine nature. Although phoenix and dragon are both auspicious objects, their images and connotations are completely different. Dragon gives people majesty and mystery, not close, only reverence; Phoenix symbolizes peace and beauty, peace and happiness, and even love, making people feel warm, close and safe. "Dragon and Phoenix culture" co-created ancient Chinese civilization. The complementarity and correspondence of divinity bring the dragon and phoenix together: one is the king of beasts, the other is the king of birds; A change flying and supernatural, an elegant and beautiful and auspicious; The good mutual assistance and cooperation between the two has been established, and the "dragon Phoenix Chengxiang" mascot of "Dragon Phoenix Chengxiang" means that it will bring a peaceful gas. The dragon and phoenix pattern on this olive bottle is precisely that. Dragon and phoenix pattern is the most representative image symbol in the Chinese national decoration, is a wonderful artistic image, it constitutes the longest, the most widely used, the most folk function, the strongest cultural chain in the history of our country. Dragon wind pattern is the most representative image symbol of Chinese national decoration, is a wonderful artistic image, it constitutes the longest, the most widely used, the most folk function, the strongest folk culture in the history of Chinese culture.
橄榄瓶瓷器的欣赏价值一方面在于橄榄形状的瓶器本身，另一方面在于中国的传统文化。这件龙凤纹橄榄瓶则是把我古老的手工技艺和中国的传统文化很好的结合在了一起。橄榄瓶瓷器是中国传统的陶瓷艺术品,代表着中国传统文化中对自然和生命的尊重和追求。在中国文化中,橄榄瓶瓷器被视为一种神圣的物品,代表着人们对美好生活的向往和追求。在过去的几年中,橄榄瓶瓷器的拍卖价格一直在不断攀升,这也反映了橄榄瓶瓷器在市场上的稀缺性和珍贵性。
The appreciation value of olive vase porcelain lies on the one hand in the olive-shaped bottle itself, and on the other hand in the traditional Chinese culture. This olive bottle with dragon and phoenix pattern is a good combination of my ancient handicraft skills and traditional Chinese culture. Olive vase porcelain is a traditional Chinese ceramic art, representing the respect and pursuit of nature and life in Chinese traditional culture. In Chinese culture, olive vase porcelain is regarded as a sacred object, representing people's yearning and pursuit of a better life. In the past few years, the auction price of olive vase porcelain has been climbing, which also reflects the scarcity and rarity of olive vase porcelain in the market.
以上藏品相关信息请与：四川尊古拍卖集团有限公司联系。
Please contact Sichuan Zungu Auction Group Co., Ltd. for information related to the above collectibles.
