Recommended Boutique ---Calligraphy by Xu Yadong
徐亚东、男、字（秉乾）、梓文斋主人，江苏海安人，现居北京。1970年生于江苏海安书香门第，毕业于清华大学美术学院。金陵画派传人。徐亚东先生从小接受着良好的传统文化的学习，磨砺几十年，现为金陵画派传人，而金陵八家之首龚贤就曾经是徐亚东先生祖上（徐逸）招请的家庭教师，从此以后徐家弃官从文，徐亚东也传承了祖上的文化。现为中国书画家研究会文化艺术委员会主任， 中国书法家协会会员、中国美术研究院副院长、中国美术家协会会员、中国工笔画协会会员、中国楹联协会会员、中华诗词学会会员、中国美术研究院副院长、江西科技学院客座教授、中国科学管理学院客座教授、中国红色研究会国防与军事文化工作委员会红色书画研究院副院长艺术总监、中国建筑装饰供需委员会艺术总监、海安市慈善书画院院长 、中国管理科学研究院人才教育认证中心客座教授 、央视《水墨丹青栏目》特聘书画家、荣宝斋签约书画家。2016年8月，参加由南通市纪委、市委宣传部、市文联、市社科联联合主办的“书传统家规·扬清风正气”书法大赛，书法作品获得优秀奖。2022年作品《世外无求》被国家博物馆收藏。
Xu Yadong, male, character (Binggan), the owner of the Zi Wenzhai, Haian, Jiangsu Province, now living in Beijing. Born in Hai 'an, Jiangsu Province in 1970, he graduated from the Academy of Fine Arts of Tsinghua University. The descendants of the Jinling Painting School. Xu Yadong from a young age to accept a good traditional culture of learning, honed for decades, is now the successor of the Jinling painting school, and the first of the eight Jinling Gong Xian was once Xu Yadong ancestral (Xu Yi) invited the tutor, since then Xu abandoned official from the text, Xu Yadong also inherited the ancestral culture. He is now the director of the Culture and Art Committee of the Chinese Calligraphers and Painters Association. Member of China Calligrapher Association, Vice president of China Academy of Art, member of China Artists Association, member of China Gongbi Painting Association, member of China Coulian Association, member of Chinese Poetry Society, Vice president of China Academy of Art, visiting professor of Jiangxi Institute of Science and Technology, visiting professor of China Academy of Science and Management, Red Painting and Calligraphy Work Committee of National Defense and Military Culture of China Red Research Society Vice President Art Director of the Institute, Art director of China Building Decoration Supply and Demand Committee, President of Hai 'an Charity Calligraphy and Painting Academy, visiting professor of Talent Education Certification Center of China Academy of Management Science, special calligrapher of CCTV "Ink Painting Column", contracted calligrapher of Rongbaozhai. In August 2016, he participated in the "Book Traditional Family Rules · Yang Qingfeng Zhengqi" calligraphy contest jointly sponsored by Nantong Municipal Commission for Discipline Inspection, Municipal Propaganda Department, Municipal Federation of Arts and Sciences, and won the excellence award for his calligraphy works. In 2022, his work "Beyond the World" was collected by the National Museum.
近期我公司征集了一幅徐亚东款书法，整幅作品为横卷，长178cm，宽87cm。
作品上用小篆体写有“天地庄周马，江湖范蠡船”这句诗句，最下方有创作时间
标注和印章落款。墨色浓郁，白色的宣纸衬托出大气，磅礴中又有一种干净自然
之感。整幅篆体书法字形修长， 向下引伸，紧密有秩。这与自上而下的章法布
局也有关系。线条匀称无论点画长短，笔画均呈粗细划一的状态。这种力度、速
度都很匀平的运笔，给人以纯净简约的美感这两种特征，看的出书法家的超然功
底，通篇流畅自然，保存完好。
Recently, our company collected a calligraphy of Xu Yadong, the whole work is a horizontal scroll, 178cm long, 87cm wide. The poem "Heaven and Earth Zhuang Zhou horses, rivers and lakes Fan Li boat" is written in small seal characters on the work, and the creation time is marked and the seal is signed at the bottom. The ink is rich, the white rice paper sets off the atmosphere, and there is a sense of clean nature in the majestic. The whole piece of seal calligraphy font is slender and long, extending downward and tight. This is also related to the top-down layout of the rules. No matter the length of the stippling, the stroke is uniform in thickness. This kind of power and speed are very even, giving people the two characteristics of pure and simple beauty, showing the transcendent skills of the calligrapher, smooth and natural, well preserved.
中国文化博大精深，即使是简简单单的一句诗句的背后，都蕴含着很深的智慧和哲学，值得我们去推敲和哲思。“天地庄生马，江湖范蠡舟”出自高适的《留上陈左相》，此诗写于好友被贬谪时，全诗为“折腰知宠辱，回首见沉浮。天地庄生马，江湖范蠡舟。逍遥堪自乐，浩荡信无忧。去此从黄绶，归欤任白头。风尘与霄汉，瞻望日悠悠。”“天地庄生马，江湖范蠡舟”的意思是：在庄子的眼里，天地再大也只是他骑的一匹马而已，完全可以驾驭，范蠡辅佐勾践成就霸业后，位极人臣，而后他急流勇退，散尽千金，与西施泛舟五湖。
Chinese culture is extensive and profound. Even behind a simple poem, there is deep wisdom and philosophy, which is worth our deliberation and philosopherizing. "Heaven and earth Zhuang Sheng horse, Jianghu fan Li boat" from Gao Shi's "leave Chen Left phase", this poem was written when friends were relegated, the whole poem is "bend the waist to know the shame, look back to see ups and downs. Heaven and earth Zhuang Sheng horse, Jianghu fan Li boat. Easy can be happy, vast letter worry-free. Go here from the yellow ribbon, to wipe the white head. Wind and dust and heaven and earth, looking at the day."
天地庄周马，是风流的马，是无拘无束的非常洒脱的要为国尽忠的马。庄子提出了一个伟大的主张：任何人都不要束缚千里马，要解放千里马。天地间，凡被解放了的，能驰骋原野和千里疆场的，为国为民立功的千里马，就叫做庄周马。庄子希望天地间应尽量出现千群万群千里马。这就叫做天地庄周马。而春秋时期越国大夫范蠡，除了载着美人，载着自由和快乐，为了保存自己的性命，以其超人智慧，帮助越王勾践灭了吴国之后，便迅速脱离宦海，毅然决然离开朝庭一一离开祖国，去追求自己自由自在的无牵无挂的游江湖享乐，带着西施，撑着一叶小舟，游江湖去了。因此，江湖范蠡船，就是以自私为动力的明哲保身的小舟。
Heaven and earth Zhuangzhou horse, is a merry horse, is unfettered very free and easy to be loyal to the country horse. Zhuang Zi put forward a great proposition: no one should bind the Qianli horses, but should liberate them. Between heaven and earth, all liberated horses that can gallop the open fields and thousands of miles of fields, and make contributions to the country and the people, are called Zhuangzhou horses. Zhuangzi hoped that there should be thousands of herds of horses between heaven and earth as far as possible. This is called heaven and earth Zhuang Zhou horses. Therefore, Jianghu fan Li boat, is to selfish as the motive force of the wise to protect the boat.
其实这两句都是在讲一种超然的境界。庄周，就是庄子，是道家学派的代表人物之一，和老子齐名，合称“老庄”。这个上句的意思是说，庄子的境界非常之高，即使有天地之广阔，庄子都能够轻松驾驭。而下句中的范蠡是我国春秋时期伟大的政治家、军事家、经济学家，尤其是做生意非常厉害，曾达到了“富可敌国”的程度，现在也是生意人供奉的“祖师爷”。范蠡帮助越王勾践灭掉吴国后，散尽了家财，化名姓为鸱夷子皮，遨游于七十二峰之间，泛舟于山川江湖之上。由此“江湖范蠡船”，也就很好理解了。它正说明的是，范蠡胸怀之开阔，人生境界之洒脱，功成名就之后，能够散尽家财，泛舟江上。这种境界与洒脱的情怀，又有几人能够领略？
In fact, these two sentences are talking about a state of transcendence. Zhuang Zhou, that is, Zhuang Zi, is one of the representatives of the Taoist school, and the same name as Laozi, collectively called "Lao Zhuang". The meaning of this sentence is that Zhuang Zi's realm is very high, even if there is a vast heaven and earth, Zhuang Zi can easily control it. In the next sentence, Fan Li was a great statesman, strategist and economist in the Spring and Autumn Period of China. Especially, he was very powerful in doing business. He once reached the level of being "rich enough to rival the country", and now he is also the "grandfather" worshipped by businessmen. After he helped King Goujian destroy the Kingdom of Wu, Fan Li lost all his family wealth and took the pseudonym "whipi Yi Zipi" to travel among the seventy-two peaks and sail on the mountains and rivers. Thus, "Jianghu Fan Li boat", it is very easy to understand. It shows that Fan Li's mind is open, the realm of life is free and easy, after success and fame, he can dissipate his wealth and sail on the river. This realm and free and easy feelings, and how many people can appreciate?
这就是透过庄子表达的哲学理念，庄子逍遥游的人生观是批判、回避、顺其自然、少私寡欲，“至人无己，神人无功，圣人无名”。庄子的齐物理论，后来与佛学理论相融合，形成了佛教中国化的成果：禅宗。其思想中有个观点，一就是一切，一切就是一，是一样的。这个合而为一，归结为一句话就是：万物是没有差别的。因此，天地庄周马，就是表达了天地人事物合而为一，万物浑然一体没有丝毫差别的意思。理解了上半句以后，下半句的“江湖范蠡船”也就非常好理解了，同样，上半句的马是万物的指代，下半句的“船”也是万物的指代。它的意思是：江河湖海与我和万物合而为一，浑然一体而没有丝毫差别。这两句合起来表达的意思就是：平等。既然万事万物都是一体的，那世间万物就都是平等的，既然大家都是平等的，就没有高低贵贱之分，相逢开口笑，过后不思量。无论是你身着华服，还是衣衫朴素，无论你是达官显贵还是平头百姓，都是一样的，只这一句，格局立马就大了，格调自然就高雅了。
This is the philosophy expressed through Zhuangzi, whose philosophy of life is to criticize, avoid, let nature take its course, have little personal desires, "to the man without himself, the God man without merit, the sage without name." Zhuangzi's theory of all things was later integrated with the theory of Buddhism to form the result of Buddhism's sinicization: Zen. There's this idea in his mind that one is all, all is one, it's the same thing. This unity is summed up in one sentence: all things are not different. Therefore, heaven, earth, Zhuang, Zhou and horses, is to express the unity of heaven, earth and things, all things are integrated without the slightest difference. After understanding the first half of the sentence, the "Jianghu fan Li boat" of the second half of the sentence is very easy to understand, similarly, the horse of the first half of the sentence is the reference to all things, and the "boat" of the second half of the sentence is also the reference to all things. It means: the river, the lake and the sea are one with me and all things, and there is no difference. Together, these two sentences mean: equality. Since all things are one, all things in the world are equal, since everyone is equal, there is no high or low, smile when you meet, and don't think about it after. Whether you are dressed in fine clothes, or plain clothes, whether you are dignitaries or plain people, it is the same, only this sentence, the pattern is immediately large, the style is naturally elegant.
徐亚东是一位著名的书法家，他的作品以简洁、朴素、自然为主要特点。其中，他的代表作有《道德经》、《心经》、《禅宗四句》等。《道德经》是徐亚东的代表作之一，徐亚东在书写中注重传统文化的传承，同时又注入了自己的个人风格，让作品更具有时代感和魅力。除了以上代表作，徐亚东还有许多其他优秀的书法作品，例如《白鹤汀洲》、《山水行旅图》等。这些作品不仅展现了他出色的书法技艺，还表现了他对自然和生命的敬畏和热爱。书法是中华民族传统文化中的重要组成部分，它是一种文化传承和审美体验的方式。大家在欣赏书法作品的同时，也能够了解到其中的文化内涵和历史背景。
Xu Yadong is a famous calligrapher. His works are characterized by simplicity, simplicity and nature. Among them, his representative works are "Tao Te Ching", "Heart Sutra", "Four sentences of Zen" and so on. Tao Te Ching is one of Xu Yadong's representative works. Xu Yadong pays attention to the inheritance of traditional culture in his writing, and at the same time infuses his own personal style to make his works more contemporary and charming. In addition to the above masterpieces, Xu Yadong also has many other excellent calligraphy works, such as "White He Tingzhou", "Landscape Travel Map" and so on. These works show not only his excellent calligraphy skills, but also his reverence and love for nature and life. Calligraphy is an important part of the traditional culture of the Chinese nation. It is a way of cultural inheritance and aesthetic experience. While appreciating calligraphy works, people can also understand the cultural connotation and historical background.
都说书画同频，细数历代大师无不是样样精通，徐亚东山水画的意境就是主张以意为主，强调表现，意造境生，营造“山性即我性，山情即我情”的境界，意境不光是优美的景色、山川的风光，更多的是徐亚东理想境界的追求，是超脱于烦琐与庸俗社会的心灵居所，给人的是可观、可行、可游、可居的神游场所，徐老师多表现的是逸居山林的情趣、素朴自然的水墨风光。不同的人都可以找到自己的心灵居所。徐亚东老师的书法中也处处体现这种超然物外的境界，追求自然朴素，自成一派，形成飘逸的书法风格。
It is said that calligraphy and painting are the same frequency, the number of generations of masters are all proficient in everything, Xu Yadong's artistic conception of landscape painting is to advocate the main meaning, emphasize the performance, create the meaning of the environment, create the realm of "mountain is my nature, mountain scenery is my emotion", the artistic conception is not only the beautiful scenery, the scenery of mountains and rivers, more is the pursuit of Xu Yadong's ideal realm, is beyond the tedious and vulgar society's spiritual residence, It gives people a considerable, feasible, swimable, livable place of mind, and Teacher Xu mostly expresses the interest of living in the mountains and forests, and the simple and natural ink scenery. Different people can find their own spiritual homes. Teacher Xu Yadong's calligraphy also reflects this transcendent realm everywhere, the pursuit of natural simplicity, its own school, the formation of elegant calligraphy style.
此幅书法作品字体是篆体，为汉字古代书体之一，也叫篆书，是对古文字的统称。“篆者，传也，传其物理，施之无穷。”古人认为篆书为仓颉所造，其实是不可信的。一种文字的产生是要经过一个较长的酝酿发展过程的，不可能由一个人在短时期能完成。广义上的篆体包括隶书以前的所有书体以及延属，如金文、石鼓文、六国古文、小篆、缪篆、叠篆等。狭义上主要指“大篆”和“小篆”。篆书字划圆转，结构依六书之义，故唐孙过庭谓：“篆尚婉而通”。殷周时期，铸刻在钟鼎彝器上的铭文即金文又称钟鼎文广泛流行。秦始皇大统后，统称为小篆,也称 秦篆，所谓篆书，其实就是掾书，就是官书。是一种规范化的官方文书通用字体。据文献记载。秦以前汉字书体并无专门名称。而小篆是由春秋战国时代的秦国文字逐渐演变而成的。由于是官书，小篆只适合于隆重的场合，如记功刻石、叔量诏版、兵虎符之类。
The font of this calligraphy work is the seal character, one of the ancient Chinese characters, also known as the seal character, is a general term for ancient characters. "The seal character, pass also, pass its physics, give infinite." The ancients believed that the seal script was created by Cang Jie, but it is not credible. The emergence of a language has to go through a long incubation and development process, which cannot be completed by a single person in a short period of time. In a broad sense, the seal style includes all the characters before official script and extended genera, such as Jin, stone drum, six ancient Chinese, small seal style, Miao seal style, overlapping seal style and so on. In a narrow sense, it mainly refers to "big seal" and "small seal". Seal character circle, structure according to the meaning of the six books, so Tang Sun Guoting said: "Seal is still wan and pass". During the Yin and Zhou dynasties, the inscriptions on Zhong and Ding Yi utensils, also known as Jin wen or Zhong and Ding Wen, were widely popular. After Qin Shihuang, collectively known as small seal, also known as Qin seal, the so-called seal script, in fact, is the official book. It is a standardized font for official documents. According to the literature. There was no special name for Chinese characters before Qin Dynasty. The Xiaoshu script was gradually evolved from the Qin script of the Spring and Autumn Period and the Warring States Period. Because it is an official book, small seal style is only suitable for grand occasions, such as memorizing feats and carving stones, uncle quantity version, soldier tiger character and so on.
标准篆书体的体式是排列整齐，行笔圆转，线条匀净而长，呈现出庄严美丽的风格。小篆书体的章法布局更能形成纵横成行的序性。秦篆有圆笔方笔之别。圆笔以 秦刻石为代表。方笔以秦诏版权量为代表。为秦篆之俗体。汉魏之际是秦篆的强弩之末。除用于碑铭篆额 和器物款识之外，难得有独立的篆书。唐篆，因李阳冰出而复苏。仁秦篆的浑厚宏伟之气已荡然无存。宋代金石之学和元朝的复古书风，使用权篆书得以起微潮，以篆书著称者不乏其人但乏超越之力。明代承元之风，步趋持平。清朝篆书百花斗艳，进入了推唐超秦的大繁荣阶段。笔法比其他书体相对简单，布白严谨，体划严肃，曲线较多，直线较少，瘦劲挺拔篆书是一种优美、严谨、古朴的书体，适合于表现各种题材，是中国书法艺术中的重要组成部分。所以整件书法作品无论从内容的意思、寓意和境界来说，还是从书法字体包含的中华文化历史底蕴来说，都无疑是一件非常优秀的藏品。
The standard seal characters are arranged neatly, the lines are round, the lines are uniform and long, showing a solemn and beautiful style. The layout of small seal style can form the order of vertical and horizontal lines. The Qin style is different from the round and square style. The round pen is represented by Qin carving stone. The Fang pen is represented by the copyright quantity of Qin Zhao. It is a popular style of Qin Seal style. The Han and Wei dynasties were at the end of a spent force of Qin style. In addition to being used for inscriptions and objects, it is rare to have independent seal characters. Tang Seal, because of Li Yang ice and recovery. The profound grandeur of Renqin style is gone. In the Song Dynasty and the Yuan Dynasty, the use of seal script had a slight trend. There were many famous seal characters but they lacked the power to surpass them. Ming Dynasty Chengyuan wind, step towards the same. The seal characters of the Qing Dynasty had entered the stage of prosperity that pushed the Tang Dynasty to surpass the Qin Dynasty. The brushwork is relatively simple compared with other calligraphy, the cloth is rigorous, the body is serious, more curves, less straight lines, thin, straight and straight seal script is a kind of beautiful, rigorous, simple calligraphy, suitable for expressing various themes, is an important part of Chinese calligraphy art. Therefore, the whole calligraphy work is undoubtedly a very excellent collection, no matter from the meaning, meaning and realm of the content, or from the Chinese culture and history contained in the calligraphy font.
以上藏品相关信息请与：四川尊古拍卖集团有限公司联系。
Please contact Sichuan Zungu Auction Group Co., Ltd. for information related to the above collectibles.
