精品推荐 —— 珠山八友汪野亭粉彩山水四条屏

发布时间：2023-11-22 来源：网络

小中大

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Wang Yeting Pink Landscape Four Screens

*本次藏品珠山八友汪野亭粉彩山水四条屏

典藏尺寸：70x23.5cm

珠山八友当时的名称是“月圆会”，就是御窑厂停烧以后部分流落到民间的粉彩和瓷版画的高手。这里的“八友”分别是：王琦、王大凡、汪野亭、邓碧珊、毕伯涛、何许人、程意亭、刘雨岑。这其中江西人除外，王大凡、何许人和1904年出生八友中最年轻的艺人刘雨岑分别是徽州黟县、徽州歙县、和安徽太平（今黄山市黄山区）人。要再算上徐仲南、田鹤仙，珠山八友实则是十个人，这并不前后矛盾。正如“江西诗派”也并不全是“江西人”一样，“以味不以形也”。月圆会“珠山八友”也可以是指一个画家群体，在绘画上他们追求清代中期“扬州八怪”的风骨。

本次藏品为汪野亭的作品，汪野亭 (1884—1942)，名平，字鉴，号平山、平生、老平、垂钓子，亦号传芳居士，平山草堂主人，斋名平山草堂，江西省乐平县人，近现代著名绘瓷艺家。为瓷都景德镇20世纪20年代形成的珠山八友大师之一，工画花鸟、山水。在绘瓷技法上，采用油料，以水粉敷色，作品别具一格。汪野亭是20世纪前期景德镇陶瓷美术革故鼎新的著名陶瓷艺术家。他的山水画，一直为后人所仰重、仿效，足足影响了半个多世纪。他从艺30多年从未离开过景德镇，创作了许多代表那个时代的精美作品，受到了世界收藏家的青睐并争相收购。

At that time, the name of the Eight Friends of Zhushan was "Full Moon Festival", which was a master of pastel and porcelain prints that had been scattered among the people after the imperial kiln factory ceased firing. The "eight friends" here are Wang Qi, Wang Dafan, Wang Yeting, Deng Bishan, Bi Botao, He Xuren, Cheng Yiting, and Liu Yucen. In addition to Jiangxi people, Wang Dafan, He He, and Liu Yucen, the youngest artist among the eight friends born in 1904, were from Yixian County, Huizhou, Shexian County, and Taiping (now Mount Huangshan District, Mount Huangshan City), Anhui respectively. Including Xu Zhongnan and Tian Hexian, the eight friends of Zhushan are actually ten people, which is not contradictory. Just as the "Jiangxi Poetry School" is not entirely "Jiangxi people", "taste is not form". The "Eight Friends of Zhushan" in the Full Moon Festival can also refer to a group of painters who pursue the style of the "Eight Monsters of Yangzhou" in the mid Qing Dynasty.

This collection is a work by Wang Yeting (1884-1942), named Ping, with the character Jian, also known as Pingshan, Pingsheng, Laoping, Diaoyuzi, and also known as Chuanfang Jushi. He is the owner of Pingshan Caotang, and his name is Pingshan Caotang. He was born in Leping County, Jiangxi Province and is a famous ceramic painter in modern times. As one of the Eight Friends Masters of Zhushan formed in the 1920s in Jingdezhen, the capital of porcelain, he painted flowers, birds, and landscapes. In terms of porcelain painting techniques, oil is used and water powder is applied to color the work, creating a unique style. Wang Yeting was a famous ceramic artist in Jingdezhen who revolutionized ceramic art in the early 20th century. His landscape paintings have always been admired and imitated by future generations, and have had a significant impact for over half a century. He has been in the arts for over 30 years and has never left Jingdezhen. He has created many exquisite works representing that era, which have been favored by collectors around the world and are eagerly acquiring them.

*本次藏品珠山八友汪野亭粉彩山水四条屏画芯

近期我公司征集了一组珠山八友汪野亭粉彩山水四条屏，此藏品长70cm，宽23.5cm，尺幅巨大。构图相仿，兼用高远与深远之法布局。空间极其开阔深远，远景奇峰高耸，层峦叠嶂，青松怪石，飞瀑流云，远山显于云雾生处，朦朦胧胧，虚实相生，山石多用折带皴及短披麻表现，并且渗入斧劈皴的擦笔技巧，主次分明，皴擦点染，深浓浅淡，形质俱佳，写苍山之巍峨雄浑。中景用线疏简，房屋、林石、水域，皆描绘的诗情画意，林木葱茏，参差错落。近景春花、垂柳、松石、人物，一派生机盎然，犹如陶潜所述桃花源，“土地平旷，屋舍俨然，有良田美池桑竹之属。”所绘景物浓淡相宜，层次分明，人物以墨合色，率意点画，笔法概括灵动。整个系列，构图严谨，色彩明快，用线流畅洒脱，题款行书圆润厚实，笔力苍劲，境界清旷和美，完全融中国画技法之精髓于瓷板，别开生面，乃弥足珍贵的传世佳作，具有很高的收藏价值和经济价值。

Recently, our company has collected a set of pink landscape four screens from the Zhushan Eight Friends Wangye Pavilion. This collection is 70cm long, 23.5cm wide, and has a huge size. The composition is similar, using both lofty and far-reaching methods for layout. The space is extremely broad and far-reaching, with towering peaks and towering mountains in the distant view, green pine and strange rocks, flying waterfalls and flowing clouds. The distant mountains are visible in the clouds and mist, hazy and hazy, with both virtual and real elements. The mountains and stones are often expressed with folded bands and short linen, and the brush technique of chopping and chopping is infiltrated. The main and secondary aspects are clear, and the texture is excellent, depicting the majestic and majestic nature of Cangshan. The mid shot features sparse and simple lines, depicting houses, forests, rocks, and water bodies with poetic and picturesque elements. The trees are lush and scattered. Up close shots of spring flowers, weeping willows, pine stones, and characters are full of vitality, just like Tao Qian's description of the Peach Blossom Land. "The land is flat and spacious, the houses are like, and there are fertile fields, beautiful ponds, and mulberry and bamboo trees." The scenery is well proportioned in intensity, with distinct layers. The characters are painted with ink and color, and their brushstrokes are summarized with agility. The entire series features rigorous composition, bright colors, smooth and free use of lines, rounded and thick cursive style, vigorous brushstrokes, and a clear and beautiful realm. It fully integrates the essence of Chinese painting techniques into porcelain plates, creating a unique and precious masterpiece that has been passed down from generation to generation, with high collection and economic value.