首页 > 新闻 > 内容

精品推荐 —— 徐艮娣 紫气东来

发布时间:2024-05-17   来源:网络    
小 中 大
字号:

Recommended Boutique -- XuGenDi “The Purple Spirit Comes from the East“

*本次藏品 徐艮娣 紫气东来 镜心

徐艮娣,女,江苏阜宁人,齐白石第五代传人,师从齐白石第四大弟子王雪涛门下,当代著名书国艺术家,中华国礼艺术家,江苏盐城研究会创始人,国际“苏东坡”绘画联会金质勋章获得者,白石绘画联会副会长,唯一一位金虾图参展并获奖弟子。2015年中国书画百杰。2008 年在北京师从国家步颜洪学习国国,后通过网络学习,2017年结业于上海梅若艺术学院。作品曾参加省、市、县、全国竞赛并获奖。现任:国家一级美术师、江苏省美术协会会员、中国艺术研究院研究员、南开大学终身教授、北京白石绘画联会副会长、北京天赐墨缘国际书画院常务副院长、北京圣媛国际文化传媒中心艺术顾问、中国非物质文化选产保护联盟书画艺术委员会委员。

徐艮娣老师自幼研习国画,对绘画有一种很高的天赋,后主攻水墨虾,笔墨功夫扎实,多年以来笔耕不辍,善于求素齐派画风精髓,把自己的人生阅历和感悟融入到艺术当中,终得画虾要领,颇有成就。其作品笔墨情趣随意古朴、奔放洒脱、形式多样、风格鲜明,从情入手,以意运色,画面达到“传神”与“空灵”,以心交天地,以情动造化,每幅作品都饱含着传统文化的滋养,波动着现代精神的活力,洋溢着新的艺术生命,受到了藏家的一致好评。徐艮娣老师作品可贵之处在于她以生活的挖掘、意境的创新,将作品在画家与欣赏者之间架起沟通情感的桥梁,正如托尔斯泰所言“艺术是感性的传递”。在生活中发现美、创造美,幅幅作品景中有情,画中有诗,引发了无尽的情丝和遐想。看她的画,不拘于一枝一叶一处的墨色微妙变化,而着眼于全局整体墨色韵律的谱写,仿佛欣赏着一支优美的乐曲,拨动着观众的心弦。流畅游动的线条像一个个跳动的音符,为中国山水花鸟画谱写出美丽的乐章。

XuGenDi, female, jiangsu Funing people, qi baishi fifth generation heir, under qi baishi fourth big disciple wang xuetao, contemporary famous book country artist, Chinese national gift artist, jiangsu yancheng research association founder, international “su dongpo” painting association gold medal winner, vice president of baishi painting association, the only one gold shrimp figure exhibition and award-winning disciple. 2015 China's top 100 masters of painting and calligraphy. 2008 in Beijing under the national step yanhong study country country, and then through the network study in 2017 graduated from Shanghai meiruo art academy. In 2015, he was one of the top 100 masters of Chinese painting and calligraphy in China. 2008, he studied Guoguo in Beijing under the guidance of Yan Hong, and then he studied through the Internet, and graduated from Shanghai Meiruo Art Institute in 2017. Works have participated in provincial, city, county and national competitions and awards. Currently: national level art teacher, member of Jiangsu Art Association, researcher of China Art Research Institute, lifelong professor of Nankai University, vice president of Beijing Baishi Painting Association, executive vice president of Beijing Tianzhi Moyuan International Calligraphy and Painting Institute, art advisor of Beijing Shengyuan International Culture Media Center, member of Painting and Calligraphy Art Committee of China Intangible Culture Selection and Production Protection Union.

Ms. Xu studied Chinese painting since childhood, has a high talent for painting, and then majored in ink shrimp, ink and brush work is solid, for many years the pen and ink, good at seeking the essence of the Qi School of painting style, their own life experience and feelings into the art, and finally got the essentials of painting shrimp, and quite an achievement. His works of pen and ink sentiment of casual simplicity, free and unrestrained, diverse forms, distinctive style, from the feelings into the hand, with the intention of color, the picture to achieve the “spirit” and “ethereal”, with the heart of heaven and earth, with the feelings of moving the creation, each piece of artwork are full of traditional culture, fluctuating Each work is full of traditional cultural nourishment, fluctuating with the vitality of modern spirit, overflowing with new artistic life, and has been unanimously praised by collectors. The precious thing about Ms. Xu's works is that she digs into the life and creates a new mood, and builds a bridge of communication between the painter and the admirer, just as Tolstoy said, “Art is the transmission of sensibility”. Discovering and creating beauty in life, her works have feelings in the scenery and poems in the paintings, triggering endless feelings and reveries. Looking at her paintings, she is not confined to the subtle changes in the ink color of a branch or a leaf, but focuses on the overall ink color rhythm of the composition, as if enjoying a beautiful piece of music, plucking the audience's heartstrings. The smooth and flowing lines are like a beating note, composing a beautiful music for Chinese landscape and bird paintings.

*本次藏品 紫气东来 镜心

近期我公司征集了一幅徐艮娣老师的《紫气东来》,典藏尺寸长170cm、宽63cm。藏品构图简练,同时设色艳丽,三两枝茎干笔走龙蛇,几串藤花含翠娇艳,再配上群虾腾游,真让人觉得春光妩媚,纸上放香。徐艮娣老师用洋红调花青画花,色彩比自然界的藤萝花朵要艳得多。又衬以嫩绿的叶,焦墨的干,色彩缤纷, 格调高雅。画中紫藤用笔细致,嫩枝及叶片取势横斜,老藤自上垂下,正与绿叶之势相打破。紫藤花以浓淡花青写就,通过色彩与水相互调和的差别,营造出紫藤花的层次效果,以洋红点出花蕊。干笔重墨写成的老藤,质感立现,画面右上方盘结虬曲,在左侧一藤垂下,既在色彩使画面更为稳重,又在结构使画面归于平衡。设色的花朵与墨笔的老藤交替掩映,若静若动,似雨飞花,一派天然之趣。再看紫藤下游动的虾群,一对浓墨眼睛,脑袋中间用一点焦墨,左右二笔淡墨,于是使虾的头部变化多端。硬壳透明,由深到浅。而虾的腰部,一笔一节,连续数笔,形成了虾腰节奏由粗渐细。徐艮娣老师用笔的变化,使虾的腰部呈现各种异态,有躬腰向前的,有直腰游荡的,也有弯腰爬行的。虾的尾部也是既有弹力,又有透明感。虾的一对前爪,由细而粗,数节之间直到两螯,形似钳子,有开有合。虾的触须用数条淡墨线画出。对水中的虾,为了表现出透视感,徐艮娣老师的线条有虚有实,简略得宜,似柔实刚,似断实连,直中有曲,乱小有序,纸上之虾似在水中嬉戏游动,触须也像似动非动。

Recently our company collected a piece of XuGenDi's “Purple Breath Coming from the East”, the collection size is 170cm long and 63cm wide. the collection is simple and concise, at the same time, the color is gorgeous, three or two branches of the stems of the snake, a few bunches of vine flowers containing green and delicate, together with the group of shrimp swimming, really makes people feel that the spring light is flattering, and the paper puts fragrance. Ms. Xu used magenta to paint the flowers, and the color is much more vivid than the natural vine flowers. She also used green leaves and burnt ink to make the painting colorful and elegant. In the painting, the wisteria is painted with meticulous brushwork, the young branches and leaves are horizontal and oblique, and the old vine hangs down from the top, breaking the momentum with the green leaves. The wisteria flowers are written in both light and dark blue, creating a layered effect of the wisteria flowers through the difference between color and water, and the stamens are dotted with magenta. The old vine written in dry brush and heavy ink, the texture emerges, the upper right of the picture is coiled and gnarled, and on the left side of the vine hangs down, not only in the color to make the picture more stable, but also in the structure to bring the picture into balance. The colorful flowers and the ink brush of the old vine alternately cover, if the quiet if moving, like rain flying flowers, a natural interest. Then look at the wisteria under the swimming shrimp, a pair of thick ink eyes, head in the middle with a little bit of burnt ink, left and right two strokes of light ink, so that the head of the shrimp varied. Hard shell transparent, from dark to light. And the waist of the shrimp, a section of a stroke, several consecutive strokes, forming a shrimp waist rhythm from thick to thin. XuGenDi with the changes of the brush, so that the waist of the shrimp show a variety of alien, have bowed forward, have straight waist wandering, also have bent over crawling. The tail of the shrimp is also both elastic and transparent. Shrimp's pair of front claws, from thin and thick, between several sections until the two chelae, shaped like pincers, there are open and closed. The tentacles of the shrimp are drawn with several lines of light ink. Shrimp in the water, in order to show the sense of perspective, XuGenDi's lines are virtual and real, simple and appropriate, like soft real rigid, like a break real even, straight in the curved, chaotic small orderly, paper shrimp seem to swim in the water playfully, tentacles also seem to be moving non-movement.

以上藏品相关信息请与:四川君再来拍卖集团有限公司联系。 

For information about the above collections, please contact: Sichuan Jun Zailai Auction Group Co.


图说天下

×
织梦二维码生成器