Master Hongyi's Running Script Sutra Sentence
*本次藏品 弘一行书经句
典藏尺寸：长202cm 宽80cm
弘一法师，原名李叔同，又名李息霜、李岸、李良，谱名文涛，幼名成蹊，学名广侯，字息霜，别号漱筒。1880年出生在天津的李宅，自幼出生在一个富贵之家，从小受到严格的教育，同时家里人是虔诚的佛教徒，他自幼便受到佛法的熏陶，便会念诵《大悲咒》《往生咒》。李叔同生在书香世家，自幼便开始学习传统文化，在其严格的约束下，更是养成了良好的习惯，在后期更是对各个领域都有涉足。到15岁时，便写下了“人生犹似西山日，富贵终如草上霜”的佳话，由于出生在富贵之家，加上自己的个性使然，李叔同开始向其他富家子弟一样，时不时的听听戏，还乐此不疲。最后更是喜欢伶人杨翠喜，最后是自己的一厢情愿，而换来了闲愁万种。随后便开始学习八股文、诗词、篆书、治印等等。在18岁时，成就自己的一段婚姻，娶俞氏为妻。后又开始学习音乐和作曲。当时的李叔同心存大志，后到上海。遂加入“城南文社”，过着文人雅士的生活。设立“上海书画公会”。后又从学于蔡元培，受到其思想的影响。在1903年，在上海成立“沪学会”，谱写了《祖国歌》等等。在1906年，出版《国学唱歌集》。童年母亲离去，随后便来到日本留学。1906年9月在日本成立了“春柳社”（我国第一个话剧团体），曾化名“李岸”。后在《茶花女》里男扮女装扮演茶花女，引起轰动，在一次交流中，认识了日本妻子诚子，致力于绘画和音乐。在1911年携诚子回国，当时由于家道中落，不得不出来维持生计，开始当教员，教文学和音乐课。1915年到南京高等师范学校任教，谱写了《南京大学校歌》，随后“天涯五友”之一的许幻园前来告别，李叔同叫诚子弹琴，自己触景生情的写下了著名的《送别》，可谓是家喻户晓，至今还被人传颂。在1916年，看到“断食”可以修养身心，便“断食”17日，后有感而发，便萌生出家之念。世间再无李叔同，只有弘一法师在自己的人生达到了顶峰的时候，李叔同选择了出家，可谓是轰动一时。到1918年，李叔同安排好所有的事情，便来到虎跑寺正式出家，在灵隐寺受戒，当时的日本妻子诚子寻遍各地，来到这里，想劝李叔同回去，当看到李叔同的时候，不由得泪流满面。弘一大师曾在信中说明一切：并不是他狠心，而是他找到了更高的追求，为了这个信仰，我必须放下一切。放下了所有的功名利禄，这些都是身外之物，希望她能够看破这些红尘的一切，早日证得人生真理。弘一大师出家后，恪守佛教的清规戒律，并一心钻研律宗，曾到精严寺、海潮寺、井亭庵、玉泉寺、庆福寺、莲花寺等去参学。在45岁时，拜佛教高僧印光大师为师，深得印光大师的指点和开示。随后便一心参悟佛法，并到各地去弘法，大力振兴律宗，让人们一心向善，而弘一大师则以身作则，每次到丰子恺家，都会摇摇藤椅，怕伤害了虫子，更是在其圆寂前说到，火化时一定要放盆水，以免伤害过路的虫子。弘一大师为了更好的弘扬律宗，用了4年的时间写成《四分律比丘戎相表记》，只是为了更好的弘法利生，让人们一心向善。弘一大师恪守戒律，苦心向佛，更是把律宗发扬光大，普度众生出苦海，为律宗第十一代世祖。在1942年，弘一大师功德圆满，在圆寂前，曾写下“悲欣交集”。而这4字也恰恰是对他一生的诠释，他本出生在富贵之家，不会被物质生活所束缚，在取得成就时，而不满于对精神生活的追求，他需要的是对灵魂的一种升华，正是佛教所说的慈悲为怀的这种内心的独白，而弘一大师正是放下了所有的一切，真正的做到一念放下，万般从容。
Master Hongyi, originally named Li Shutong, also known as Li Xishuang, Li An, and Li Liang, has a genealogical name of Wentao and a young name of Chengqi. His scientific name is Guanghou, with the name Xishuang and the alias Shutong. Born in Li Zhai, Tianjin in 1880, he was born into a wealthy family and received strict education from a young age. At the same time, his family members were devout Buddhists. He was influenced by Buddhism from a young age and could recite the "Great Compassion Mantra" and "Death Mantra". Li Shu was born into a scholarly family and began learning traditional culture from a young age. Under its strict constraints, he developed good habits and later delved into various fields. At the age of 15, he wrote the beautiful story of "life is like a day in the Western Mountains, and wealth is like frost on the grass." Due to being born into a wealthy family and his own personality, Li Shutong began to listen to plays from time to time, just like other children of wealthy families, and enjoyed it tirelessly. In the end, I even liked the actor Yang Cuixi, and in the end, it was my own wishful thinking that brought me a myriad of worries. Afterwards, I began to learn the Eight Part Essay, poetry, seal script, seal printing, and so on. At the age of 18, he achieved his own marriage and married the Yu family. Afterwards, he began to learn music and composition. At that time, Li Shutong had great ambitions and later went to Shanghai. So he joined the "Chengnan Literature Society" and lived a life of literati and refined scholars. Establish the "Shanghai Calligraphy and Painting Association". Later, he studied at Cai Yuanpei and was influenced by his ideas. In 1903, the "Shanghai Society" was established in Shanghai and composed songs such as "The Song of the Motherland". In 1906, he published the "Collection of Traditional Chinese Singing". My childhood mother left and then came to Japan to study abroad. In September 1906, the "Chunliu Society" (the first drama group in China) was established in Japan, which was formerly renamed "Li An". Later, in "The Camellia Woman", the man disguised as the Camellia Woman, causing a sensation. During an exchange, he met his Japanese wife, Chengko, and devoted himself to painting and music. In 1911, he returned home with Chengzi. Due to his family's decline, he had to come out to make a living and began teaching literature and music as a teacher. In 1915, he taught at Nanjing Higher Normal School and composed the "Nanjing University Song". Later, Xu Xiangyuan, one of the "Five Friends of the World," came to bid farewell. Li Shutong called Chengzi to play the piano and wrote the famous "Farewell" with great emotion, which can be said to be a household name and is still widely praised. In 1916, seeing that "fasting" can cultivate one's body and mind, he "fasted" for 17 days. Later, he felt this and had the idea of leaving home. There is no Li Shutong in the world anymore, only Master Hongyi chose to become a monk when his life reached its peak, which can be said to be a sensation. By 1918, Li Shutong had arranged everything and came to Hupao Temple to officially become a monk. He was ordained at Lingyin Temple. At that time, Japanese wife Chengzi had traveled all over the country to persuade Li Shutong to go back. When he saw Li Shutong, tears flowed down his face. Master Hongyi once stated in his letter that it was not his ruthlessness, but that he had found a higher pursuit. For this belief, I must let go of everything. Putting aside all the fame and fortune, these are external things, I hope she can see through everything in this mortal world and prove the truth of life as soon as possible. After becoming a monk, Master Hongyi adhered to the clear rules and regulations of Buddhism and devoted himself to studying the laws and regulations. He went to Jingyan Temple, Haichao Temple, and Jingting Temple.
*本次藏品 弘一行书经句
典藏尺寸：长202cm 宽80cm
近期我公司征集了一副弘一法师的行书经句作品，典藏尺寸：长202cm，宽80cm。弘一法师是现代书法史上的一位杰出人物，其书法风格具有独特的特点，成为了书法界的一面旗帜。他的书法是技艺与灵性的完美结合。首先是用笔老练。弘一法师的用笔非常娴熟，精妙绝伦。他的笔法柔中带刚，既能写出柔美的曲线，也能写出雄浑有力的墨线。无论是草书、行书、楷书，弘一法师都能用笔运用自如，呈现出不同字体的特点。其次是韵味深厚。弘一法师书法中的每一笔都具有深厚的韵味，使人欣赏不已。他的书法富有诗意，优美动人，具有极高的艺术价值。弘一法师善于变通，常常在书法中融入佛教文化，使书法更具意境。再次是风格独特。弘一法师书法风格独具匠心，有别于其他书法家的作品。他的书法飘逸而不失稳健，极具个性。弘一法师书法笔画饱满有力，十分丰富多样，并呈现出卓然不群的气度和风范。最后是内涵丰富。弘一法师的书法不仅仅是写出漂亮的字，更是注重书法的内涵和精神层面。弘一法师的书法清丽秀雅，充满哲理，既有大气的气势，又有高远的格调，体现出佛教思想的深邃与广博。弘一法师书法艺术非常优秀，至今仍受到广泛的赞誉和欣赏，是现代书法的一笔瑰宝。
Recently, our company has collected a collection of running script scripture works by Master Hongyi, with dimensions of 202cm in length and 80cm in width. Master Hongyi is an outstanding figure in the history of modern calligraphy, whose calligraphy style has unique characteristics and has become a banner in the calligraphy industry. His calligraphy is a perfect combination of skill and spirituality. The first is to use the pen skillfully. Master Hongyi's pen is very skilled and exquisite. His brushstroke is gentle with a touch of hardness, capable of creating both gentle curves and powerful ink lines. Whether it is cursive script, running script, or regular script, Master Hongyi is able to use his pen freely, presenting the characteristics of different fonts. Secondly, it has a profound charm. Every stroke in Master Hongyi's calligraphy has a profound charm that is truly appreciated. His calligraphy is rich in poetry, beautiful and touching, and has high artistic value. Master Hongyi is skilled in adaptability and often incorporates Buddhist culture into his calligraphy, making it more artistic. Once again, it has a unique style. Master Hongyi's calligraphy style is unique and distinct from the works of other calligraphers. His calligraphy is elegant yet steady, with a strong personality. Master Hongyi's calligraphy strokes are full and powerful, rich and diverse, and present an outstanding demeanor and demeanor. Finally, it has rich connotations. Master Hongyi's calligraphy not only focuses on writing beautiful characters, but also emphasizes the connotation and spiritual aspects of calligraphy. Master Hongyi's calligraphy is beautiful and elegant, full of philosophy, with both atmospheric momentum and lofty style, reflecting the depth and breadth of Buddhist thought. Master Hongyi's calligraphy art is very excellent and still widely praised and appreciated, making it a treasure of modern calligraphy.
以上藏品相关信息请与：四川君再来拍卖集团有限公司联系。
Please contact Sichuan Junzailai Auction Group Co., LTD for information about the above collections.
