Recommended Boutique -- "The Painting of Twelve Steeds"
*本次藏品 《十二骏图》井泓岩
典藏尺寸：长418厘米 宽35厘米
中国马文化源远流长，早在公元前3000多年的夏商时期，中国人就开始驯养马匹。随着时间的推移，马逐渐成为战争、交通、农耕及竞技活动的重要载体。在漫长的历史长河中，许多名马应运而生，成为中华马文化的璀璨瑰宝。从中国画马题材发展来看，在历代绘画中有专门的鞍马画分科，以及以画马著称的画家。这些奔马题材的形象表现反映了马的共同特性，是古人对马的敬仰与崇拜思想的艺术表现，将奔马速度和力量来寓意蓬勃的生命力与勇往直前的英雄形象。中国画马艺术以表现马的特征为主，并以突出意象来塑造马的不同形象，将画马艺术纳入到文化范畴，注入画家的生活和情感，强调艺术的审美，从而形成中国画马艺术的意向性特征，也突出了独特的民族艺术特色的传统中国画马创作题材强有力的造型能力与笔墨语言，大大地提高了中国画的生命力，也反映了在不同历史时期的民众生活与社会现状，是中国各个历史时期与层面变化的真实写照。
本次藏品《十二骏图》为井泓岩绘制，井泓岩(本名井永岩)，男，生于1962年，山东济南人，出身于书画世家，受家庭文化的熏陶，自幼喜爱国画艺术，从芥子园到现代美术理论实践无不涉及，早年在山东艺术学院系统学习素描造型彩铅等基础课程，为个人的绘画技艺提高打下了良好基础，，从山东书画领军人物孔维克、李刚处获益匪浅。又以徐悲鸿、齐白石、白雪石大师为楷模，潜心钻研学习水墨动物、花鸟鱼虫的画法。1982年赴中央美术学院学习，因其对画动物尤其是画马的天赋，深受时任中央美术学院副院长 、徐悲鸿关门弟子刘勃舒老先生的喜爱并收其为弟子，着重指点井泓岩画水墨马的笔法和技法，对其后期的发展影响颇深。
Chinese horse culture has a long and rich history. As early as the Xia and Shang dynasties over 3000 BC, Chinese people began to domesticate horses. Over time, horses have gradually become important carriers of warfare, transportation, agriculture, and competitive activities. In the long history, many famous horses have emerged and become brilliant treasures of Chinese horse culture. From the perspective of the development of horse theme in Chinese painting, there are special Pommeled Horse painting branches in the paintings of all previous dynasties, as well as painters famous for painting horses. These images of galloping horses reflect the common characteristics of horses and are an artistic expression of the ancient people's admiration and worship of horses. The speed and strength of galloping horses are used to symbolize the vigorous vitality and heroic image of advancing bravely. Chinese horse painting art mainly expresses the characteristics of horses and shapes different images of horses by highlighting imagery. It incorporates horse painting art into the cultural category, injects the painter's life and emotions, emphasizes artistic aesthetics, and thus forms the intentional characteristics of Chinese horse painting art. It also highlights the strong modeling ability and ink language of traditional Chinese horse painting themes with unique national artistic characteristics, greatly enhancing the vitality of Chinese painting and reflecting the people's lives and social status in different historical periods. It is a true portrayal of the changes in various historical periods and levels of China.
The collection "Twelve Steeds" was painted by Jing Hongyan. Jing Hongyan (real name Jing Yongyan), male, born in 1962 in Jinan, Shandong, came from a family of calligraphy and painting, and was influenced by family culture. He has loved traditional Chinese painting art since childhood, covering everything from mustard garden to modern art theory and practice. In his early years, he systematically studied basic courses such as sketching, modeling, and color lead at Shandong Academy of Art, laying a good foundation for his personal painting skills. He benefited greatly from the leading figures in Shandong's calligraphy and painting, Kong Weike and Li Gang. Taking Xu Beihong, Qi Baishi, and Bai Xueshi as role models, he devoted himself to studying the painting techniques of ink animals, flowers, birds, fish, and insects. In 1982, he went to the Central Academy of Fine Arts to study. Due to his talent for painting animals, especially horses, he was deeply loved by Mr. Liu Boshu, who was then the Vice Dean of the Central Academy of Fine Arts and a disciple of Xu Beihong. He was accepted as a disciple and focused on guiding the brushwork and techniques of Jing Hong's rock painting ink horses, which had a profound impact on his later development.
*本次藏品 《十二骏图》井泓岩
典藏尺寸：长418厘米 宽35厘米
近期我公司征集了一幅井泓岩的《十二骏图》，长418cm、宽35cm，井泓岩先生的马，气势磅礴，有精气神能静中寓动，以个体奋发昂扬的神态表现群体的意气风发，因而气度非凡，精神饱满。另一个重要特点，是画马过程中突出一个“写”字。他笔下的马尽管丝毫不忽视结构动态的准确，然而却削弱了笔痕中“线”的比重。不管画什么形态的马，他总是以迅疾回旋的线条去描写，去挥洒，线条劲健洒脱犹如草书，在为马传神的同时也抒发了时代的心声和画家的内心情感。除了表现骏马的形象和特点外，《十二骏图》还寓意着一些深刻的思想和观念。首先，画中的骏马代表着忠诚、勇敢、智慧、仁爱等品质，是人们所推崇的价值观的象征。其次，画中的骏马形象也反映了不同地域和民族的文化特点和历史背景，具有文化多样性和历史传承的意义。此外，画中的骏马还寓意着追求自由、张扬个性的精神，表达了人们对于自由和个性的向往和追求。《十二骏图》不仅是一幅精美的画作，更是一幅富有寓意和内涵的作品，它不仅展现了郎世宁高超的绘画技艺，也表达了人们对于价值观、文化多样性和个性追求的思考和追求。
Recently, our company has collected a painting of Jing Hongyan's "Twelve Steeds", which is 418cm long and 35cm wide. Mr. Jing Hongyan's horse has a majestic momentum, with the essence and energy blending in stillness and movement. It expresses the group's spirit and vigor with an individual's vigorous and spirited demeanor, resulting in extraordinary magnanimity and full spirit. Another important feature is the prominent character "write" in the process of drawing horses. Although his horses do not overlook the accuracy of structural dynamics, they weaken the proportion of "lines" in the brushstrokes. No matter what form of horse he painted, he always depicted it with swift and flowing lines, which were vigorous and free spirited like cursive script. While conveying the spirit of the horse, he also expressed the voice of the times and the inner emotions of the painter. In addition to depicting the image and characteristics of a galloping horse, the Twelve Steeds also symbolizes some profound thoughts and concepts. Firstly, the steed depicted in the painting represents qualities such as loyalty, bravery, wisdom, and kindness, and is a symbol of the values that people admire. Secondly, the image of a galloping horse in the painting also reflects the cultural characteristics and historical background of different regions and ethnic groups, with cultural diversity and historical significance. In addition, the horses in the painting symbolize the spirit of pursuing freedom and promoting individuality, expressing people's longing and pursuit for freedom and individuality. The Twelve Steeds Painting is not only an exquisite painting, but also a work full of meaning and connotation. It not only showcases Lang Shining's superb painting skills, but also expresses people's thinking and pursuit of values, cultural diversity, and personality pursuit.
以上藏品相关信息请与：四川君再来拍卖集团有限公司联系。
Please contact Sichuan Junzailai Auction Group Co., LTD for information about the above collections.
